Beirut-Haifa, Mona Hatoum story - Sepia, black and white ink and pencil on watercolor paper - 100 x 70 cms - av
Baalbeck - Sepia, black and white ink and pencil on watercolor paper - 100 x 70 cms - av
Zouk - Ink, inkwash and pencil on watercolor paper - 50 x 70 cm - av
Mossoul Jerusalem Aleppo - Ink, inkwash and pencil on watercolor paper - 50 x 70 cm - av
Beirut 1- Acrylic and various pencils on canvas - - 220 x 110 cms - av
Shops in Sin-El-Fil, Beirut - Sepia and white ink and pencil on watercolor paper - 50 x 33 cms each - av
1, Street # 73, Sin-El-Fil, Beirut (from the series "Shops in Sin-El-Fil, Beirut")Sepia and white ink and pencil on watercolor paper - 50 x 33 cm - av
125, Mar Elias Street, Sin-El-Fil, Beirut (from the series "Shops in Sin-El-Fil, Beirut")Sepia and white ink and pencil on watercolor paper - 50 x 33 cm - av
58, Saydeh Street, Sin-El-Fil, Beirut (from the series "Shops in Sin-El-Fil, Beirut")Sepia and white ink and pencil on watercolor paper - 50 x 33 cm - av
53, Habib Abi-Chahla Street, Sin-El-Fil, Beirut (from the series "Shops in Sin-El-Fil, Beirut")Sepia and white ink and pencil on watercolor paper - 50 x 33 cm - av
Cedars - Sanguine and white chalk on canvas - 130 x 142 cms - av - (also available in Edition of 5 + 2 AP - Archival Fine Art Print on Cotton Paper - 60 x 62cms, with print size of 36x39 on a paper of 44x49)
Electricite du Liban - ink, inkwash and pencil on watercolor paper - Miniature drawings - av
Anciens Costumes Libanais - Ink, inkwash and pencil on watercolor paper - Miniature drawings - av
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Recent works - Cities

This series of works is a reflection on cities and geographical locations seen through the social and environmental prisms. While some drawings capture sceneries as they exist in reality, others to the opposite are completely fictional, while some others are a composite image mixing fragments of reality and fiction. By the process of forcing the viewer to go beyond these apparently realistic traditional drawings and further investigate them in order to distinguish fact from fiction, they invite him to re-question the procedures through which images are presented as a reflection of reality, a process which is widely accepted by force of habit. In that sense, this series of drawings attempts to address the matter of image authenticity in a media environment that capitalizes on highly impacting images published at quick pace, and where the viewer’s ability to question their authenticity is undermined.