Starting with charcoal, I experiment with my line, pushing and pulling to achieve a simplicity, but at the same time, to allow the energy and emotions of the subject to be revealed. Using 100% rag paper allows the line to take center stage, and the colors, which are not always representational, to remain vivid. My painting is still in a state of flux as I continue to experiment on how and what to reveal.
Starting with charcoal, I experiment with my line, pushing and pulling to achieve a simplicity, but at the same time, to allow the energy and emotions of the subject to be revealed. Using 100% rag paper allows the line to take center stage, and the colors, which are not always representational, to remain vivid. My painting is still in a state of flux as I continue to experiment on how and what to reveal.
Starting with charcoal, I experiment with my line, pushing and pulling to achieve a simplicity, but at the same time, to allow the energy and emotions of the subject to be revealed. Using 100% rag paper allows the line to take center stage and the colors, which are not always representational, to remain vivid. My painting is still in a state of flux as I continue to experiment on how and what to reveal.
Starting with charcoal, I experiment with my line, pushing and pulling to achieve a simplicity but at the same time, to allow the energy and emotions of the subject to be revealed. Using 100% rag paper allows the line to take center stage, and the colors, which are not always representational, to remain vivid. My painting is still in a state of flux as I continue to experiment on how and what to reveal.
Starting with charcoal, I experiment with my line, pushing and pulling to achieve a simplicity, but at the same time, to allow the energy and emotions of the subject to be revealed. Using 100% rag paper allows the line to take center stage, and the colors, which are not always representational, to remain vivid. My painting is still in a state of flux as I continue to experiment on how and what to reveal.
Starting with charcoal, I experiment with my line, pushing and pulling to achieve a simplicity, but at the same time, to allow the energy and emotions of the subject to be revealed. Using 100% rag paper allows the line to take center stage, and the colors, which are not always representational, to remain vivid. My painting is still in a state of flux as I continue to experiment on how and what to reveal.
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Illustration
Illustration