![](https://s3images.coroflot.com/user_files/individual_files/258338_2AxPMQaWAjmy8Kmjj677h6cNl.jpg)
Summer in Milan. The asphalt is of undefined texture, signed by numerous holes, craters and scratches. High heels, vespa-kickstands, café seats, scaffolding-poles and shop containers shape and re-shape the street surface. Arbitrary cutouts, reversed to full-scale negative moulds, evidence the relicts of urban frequentation in a network of paths in space and time. The three-dimensional patterns proceed beyond the reliefsā edges in an imaginary continuity, forming a new cityscape without scale.
![](https://s3images.coroflot.com/user_files/individual_files/258338_JSHBgI6y3OXf4GLDhci6SWk1t.jpg)
in exhibtion:
December 2007, Projektraum P1, UdK Berlin.
![](https://s3images.coroflot.com/user_files/individual_files/258338__8P3PR99X2hhNEAIkxtmfJVyC.jpg)
published in:
A.-M. Kursawe and N. Lau,
Stadt. Raum. Wahrnehmungen. -
Vier Positionen von Stadtkartierung,
Berlin 2007.
![](https://s3images.coroflot.com/user_files/individual_files/258338_YwdQ2IQaEuEfkLB5uuhSLyRUf.jpg)
cement relief:
the asphalt mould forms its own landscape.
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