![](https://s3images.coroflot.com/user_files/individual_files/665847_goed8pe6yv5nrdmrwps9fsd_o.jpg)
![](https://s3images.coroflot.com/user_files/individual_files/665847_dfwi23rad6knsuhpxot5xbiga.jpg)
![](https://s3images.coroflot.com/user_files/individual_files/665847_gzfb9zjtrjjgyxkjc2tkrx7nj.jpg)
The model was envisioned as sitting in and at the edge of a cliff, with the lower level covered in earth, and the whole thing facing the sea. Climbing the structure, adventurous visitors can perch in the crown of the Labyrinth.
![](https://s3images.coroflot.com/user_files/individual_files/665847_yoerax_xe6tbshrhepkvvz9vi.jpg)
Chemical processes were used to print the shadow of the model in sunlight.
![](https://s3images.coroflot.com/user_files/individual_files/665847_ky_vwlinr_crhpm4sbugu7qov.jpg)
In this section drawn across both sides of a sheet of semi-transparent mylar, the coolest blues were used where the structure was imagined to be most exposed to wind, and warmer blues where it is more sheltered.
![](https://s3images.coroflot.com/user_files/individual_files/665847_cohrcshhnujyqbu6szgquiws2.jpg)
Another double-sided plan/section of the Labyrinth on mylar registers the shadow and footprint on one side and the section and elevation elements on the other. Colours indicate the imagined muscle tension of a climber on different parts of the structure. Near-vertical members, in red, would be the most precarious supports for a climber.
![](https://s3images.coroflot.com/user_files/individual_files/665847_vk93rihhmmvalozhwwdydnbde.jpg)
I envisioned a strange and powerful vine-like growth as a ceiling addition.
![](https://s3images.coroflot.com/user_files/individual_files/665847_ysxwpondy09sdhirclkte7pgp.jpg)
A perspective rendering in graphite of the ceiling addition/growth
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