Not only was a symmetrical print created for the model’s bra but she also sported a literal military design using insignia shapes and ranking symbols created in Photoshop. Since jumpsuits are extremely popular for all branches of the military it was crucial to the integrity of a military collection to pair this structured bra top with a work suit. The jumpsuit contained sleeve roll-tabs, epaulettes and a great deal of topstitching on both the pockets
For the fifth look, tailored layering was the most important concept. The structured fit of the tailored shirt, layered with feminine lingerie shorts and completed with a military-forward vest. The fabrications of the vest, including the aforementioned military-inspired original textile print, as well as the chain detailing draped on the front. The chains were all painted by hand to create a more tarnished and vintage look.
This ensemble became the focal point of the collection through its embodiment of the central thesis of the paper illustrating the marriage between military structure and feminine fluidity.Inspired entirely by the air force and the heavy dependence on aircraft warfare during World War II, this look is comprised of a leather bomber jacket and a draped evening gown. Figure 5.6A shows the texture and color of the bomber jacket, which is lined with the original computer-generated revolver print
Insignia Detail on Second Look. This was assymetrical and flowed up the right side of the skirt and onto the sleeve
Hand-done pleats that were inserted into a side panel in the First Look's leggings.
Sixth Look showing hand-drawn revolver print in bomber jacket and detailing in evening gown.
First Look complete with bullet harness
Each of the designs are unique in their own way, yet four of them exemplified textiles that are one-of-a-kind. Textile prints were created using Photoshop and Illustrator techniques, resulting in unique, original textile designs printed on woven cotton fabric.
Each of the designs are unique in their own way, yet four of them exemplified textiles that are one-of-a-kind. Textile prints were created using Photoshop and Illustrator techniques, resulting in unique, original textile designs printed on woven cotton fabric.Another print was created using a hand-drawn sketch of a revolver that was scanned and turned into a repeated fabric print.
Final collection sketches.
Final Collection flats
Vest with tarnished chain detail
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One Heel in the Foxhole (Fall 2011)
Kate Walsh
Fashion Designer Long Beach, CA