![](https://s3images.coroflot.com/user_files/individual_files/169313_ocK8WywdRBZw38r8cAbXkyxWw.jpg)
A quick study for the schematic design of a tower and podium scheme, this project highlights the problem of transitioning between geometries. In the tower, two cores are connected near the center. To generate a smooth transition, I extracted U and V isocurves at the center point of the connection. Using tangent values from points chose at reasonable distances along those curves and horizontal tangents at the center elliptical cross-section, a smooth geometry was constructed.
![](https://s3images.coroflot.com/user_files/individual_files/169313_L90fNijJbjotiCCVaaKaOQPu1.png)
A quick study for the schematic design of a tower and podium scheme, this project highlights the problem of transitioning between geometries. In the tower, two cores are connected near the center. To generate a smooth transition, I extracted U and V isocurves at the center point of the connection. Using tangent values from points chose at reasonable distances along those curves and horizontal tangents at the center elliptical cross-section, a smooth geometry was constructed.
![](https://s3images.coroflot.com/user_files/individual_files/169313_6E4o63Pe8VfIEFQBAsYASdkOf.png)
A quick study for the schematic design of a tower and podium scheme, this project highlights the problem of transitioning between geometries. In the tower, two cores are connected near the center. To generate a smooth transition, I extracted U and V isocurves at the center point of the connection. Using tangent values from points chose at reasonable distances along those curves and horizontal tangents at the center elliptical cross-section, a smooth geometry was constructed.
![](https://s3images.coroflot.com/user_files/individual_files/169313_RUpg_5fYIa6ZatsUO_EZmGOMr.png)
A quick study for the schematic design of a tower and podium scheme, this project highlights the problem of transitioning between geometries. In the tower, two cores are connected near the center. To generate a smooth transition, I extracted U and V isocurves at the center point of the connection. Using tangent values from points chose at reasonable distances along those curves and horizontal tangents at the center elliptical cross-section, a smooth geometry was constructed.
![](https://s3images.coroflot.com/user_files/individual_files/169313_ZlkcCgnJqpNfhvRj5H4zAivHw.png)
A quick study for the schematic design of a tower and podium scheme, this project highlights the problem of transitioning between geometries. In the tower, two cores are connected near the center. To generate a smooth transition, I extracted U and V isocurves at the center point of the connection. Using tangent values from points chose at reasonable distances along those curves and horizontal tangents at the center elliptical cross-section, a smooth geometry was constructed.
![](https://s3images.coroflot.com/user_files/individual_files/169313_TB6szZPhNt8qIMKd1AIjuE8W6.png)
A quick study for the schematic design of a tower and podium scheme, this project highlights the problem of transitioning between geometries. In the tower, two cores are connected near the center. To generate a smooth transition, I extracted U and V isocurves at the center point of the connection. Using tangent values from points chose at reasonable distances along those curves and horizontal tangents at the center elliptical cross-section, a smooth geometry was constructed.
![](https://s3images.coroflot.com/user_files/individual_files/169313_KqCqTwbvePVRZLlkoQPPAVt3Q.jpg)
The problem posed by the podium form of this project was also one of continuity, but this time of pattern rather than geometry. The goal was to create a diagrid (diamond) pattern that would wrap around the roof and curved sides in a seamless way. To achieve this, I actually broke the form into two separate pieces. While the final result does have a handful of “squished” panels, it avoids visible seams or concentric circle patterns that usually occur when subdividing geometries like this.
![](https://s3images.coroflot.com/user_files/individual_files/169313_InhYDgLxDNOdzudkNiSgaL8ET.jpg)
The problem posed by the podium form of this project was also one of continuity, but this time of pattern rather than geometry. The goal was to create a diagrid (diamond) pattern that would wrap around the roof and curved sides in a seamless way. To achieve this, I actually broke the form into two separate pieces. While the final result does have a handful of “squished” panels, it avoids visible seams or concentric circle patterns that usually occur when subdividing geometries like this.
![](https://s3images.coroflot.com/user_files/individual_files/169313_V2hvm3QaJxJJBOzX9yF6gwp0P.jpg)
The problem posed by the podium form of this project was also one of continuity, but this time of pattern rather than geometry. The goal was to create a diagrid (diamond) pattern that would wrap around the roof and curved sides in a seamless way. To achieve this, I actually broke the form into two separate pieces. While the final result does have a handful of “squished” panels, it avoids visible seams or concentric circle patterns that usually occur when subdividing geometries like this.
![](https://s3images.coroflot.com/user_files/individual_files/169313_VFhSK13s1NwTYwvnDTzno74oC.jpg)
The problem posed by the podium form of this project was also one of continuity, but this time of pattern rather than geometry. The goal was to create a diagrid (diamond) pattern that would wrap around the roof and curved sides in a seamless way. To achieve this, I actually broke the form into two separate pieces. While the final result does have a handful of “squished” panels, it avoids visible seams or concentric circle patterns that usually occur when subdividing geometries like this.
![](https://s3images.coroflot.com/user_files/individual_files/169313_BiSnkroZ9l0epMgJMFiKBTBmV.jpg)
The problem posed by the podium form of this project was also one of continuity, but this time of pattern rather than geometry. The goal was to create a diagrid (diamond) pattern that would wrap around the roof and curved sides in a seamless way. To achieve this, I actually broke the form into two separate pieces. While the final result does have a handful of “squished” panels, it avoids visible seams or concentric circle patterns that usually occur when subdividing geometries like this.
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