Spencer Branham

Poster (original: 18 X 24) - An kinetic identity system for the non-profit organization, The Jazz Foundation of America. Concepting included research, creation of conference characteristics and implementation through collateral. The design is meant as a knod to the vintage aesthetic of the album covers released by Blue Note, Columbia and Atlantic Records combined with an original color palette that suggests both heritage and vitality of the artform.

Jazz Foundation of America - An kinetic identity system for the non-profit organization, The Jazz Foundation of America. Concepting included research, creation of conference characteristics and implementation through collateral. The design is meant as a knod to the vintage aesthetic of the album covers released by Blue Note, Columbia and Atlantic Records combined with an original color palette that suggests both heritage and vitality of the artform.

Promotional postcards - An kinetic identity system for the non-profit organization, The Jazz Foundation of America. Concepting included research, creation of conference characteristics and implementation through collateral. The design is meant as a knod to the vintage aesthetic of the album covers released by Blue Note, Columbia and Atlantic Records combined with an original color palette that suggests both heritage and vitality of the artform.

Mailing Label (2 opt.) - An kinetic identity system for the non-profit organization, The Jazz Foundation of America. Concepting included research, creation of conference characteristics and implementation through collateral. The design is meant as a knod to the vintage aesthetic of the album covers released by Blue Note, Columbia and Atlantic Records combined with an original color palette that suggests both heritage and vitality of the artform.

Conference identification badges (3 opt.) - An kinetic identity system for the non-profit organization, The Jazz Foundation of America. Concepting included research, creation of conference characteristics and implementation through collateral. The design is meant as a knod to the vintage aesthetic of the album covers released by Blue Note, Columbia and Atlantic Records combined with an original color palette that suggests both heritage and vitality of the artform.