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Las Vegas Canvas - 30" x 48" pigment print on Hahenemuhle Paper Rag (image 22" x 40"), 2011; edition of ninety five; also ten artists proofs and one printer's proof; montage of many of my favorite neon images captured during the many business trips to Las Vegas as corporate photographer for the electric sign industry's "Ad Art Sign Corporation"
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Twilight at the Little Sign That Could - 22" x 30" pigment print on Hahnemuhle Photo Rag (image 14.4" x 21.6") 2011; edition of ninety five; also twenty artist proofs; five one second exposures on one 35mm film frame; Imacon scan; photographically composited with additional images now obscured by median palm trees; with love for original designer and friend, Betty Willis; this is the authorized print
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Fremont Street West - 34" x 44" pigment print on Hahnemuhle Photo Rag (image 24" x 33") 2011; edition of ninety five prints; also twenty five artist proofs for a theme set of two with matching numbers; from a 4x5 film transparency; Imacon scan; three one-half second exposures on one sheet of film to capture signs sequencing; 1988 classic view of Downtown Las Vegas and opposite view of print "Fremont Street East"; "Vegas Vic" designed by Hermon Boernge
![](https://s3images.coroflot.com/user_files/individual_files/405388_lXCCTDxpAgBW0pmyPTnHiABqu.jpg)
Fremont Street East - 34" x 44" pigment print on Hahnemuhle Photo Rag (image 24" x 33") 2011; edition of ninety five prints; also twenty five artist proofs for a theme set of two with matching numbers; from a 4x5 film transparency; Imacon scan; three one-half second exposures on one sheet of film to capture signs sequencing; 1988 classic view of Downtown Las Vegas and opposite view of print "Fremont Street West"; artistic license used to augment "Vegas Vicki" designed by Charles F Barnard
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The Stardust Pylon - 33" x 22" pigment print on Hahnemuhle Photo Rag (image 27" x 18"); edition of ninety-five; also 10 artist proofs; from a 4x5 film transparency; Imacon scan; the Stardust Pylon was the Ford Foundation's choice of one of the one-hundred world's most influential works of architecture in the traveling "Millennium Art in Architecture Exhibit" in 2000; now resting in The Neon Art Museum in Las Vegas; Stardust pylon designed by Paul Miller
![](https://s3images.coroflot.com/user_files/individual_files/405388_biBUqhKzogqEt0cehk27RSOnL.jpg)
"Happy" The Circus Circus Pylon - 44" x 34" pigment print (image 39" x 29") 2011; signed and numbered edition of ninety-five; also ten artist proofs and one printer's proof; original 4x5 transparency multiple-exposed for sign sequencing; drum scanned with all corrections by this photographer / photo artist; "Happy", the Circus Circus pylon designed by Dan Edwards
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"Vegas Vic" - 40" x 28" pigment print on Hahnemuhle Photo Rag Matte (image 33.9" x 21") 2011; signed and numbered edition of ninety-five prints and twenty-five artist proof prints in a set of two (along with "Vegas Vicki") for matching numbers; also, one printer's proof;
![](https://s3images.coroflot.com/user_files/individual_files/405388_ZufVLbk3e0uJrnam8GV9tch8Z.jpg)
"Vegas Vicki" - 40" x 28" pigment print on Hahnemuhle Photo Rag Matte (image 33.9" x 21") 2011; signed and numbered edition of ninety-five prints and twenty-five artist proof prints in a set of two (along with "Vegas Vic") for matching numbers; also, one printer's proof;
![](https://s3images.coroflot.com/user_files/individual_files/405388_PLVYUMpcU5mkLztEnBtap1uMP.jpg)
The Aladdin Porte-Cochere - 30" x 40" pigment print on Hahnemuhle Photo Rag Matte (image 24" x 30.6") 2011; signed and numbered edition of ninety-five prints, ten artist proof prints and one printer's proof; multiple one second exposures in late dusk on one sheet of large format 4x5 film; drum scanned; Linhof Technika 4x5 view camera and Schneider 150 mm lens; view of the Charles F Barnard designed Aladdin porte-cochere by Ad Art Signs Inc.
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Mirage Lagoon and Pylon - 30" x 22" pigment print on Hahnemuhle Photo Rag (image 16.02" x 21.36") 2011; from a 4x5 film transparency; Imacon Scan; editing for dust and scratches by artist; a distinctive view of the world famous marquee celebrating one of the greatest shows ever to play the Strip; pylon design by Charles F Barnard
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Starlite and Jerry's Nugget - 28" x 20" pigment print on Hahnemuhle Photo Rag Matte (image 18" x 12") 2011; signed and numbered edition of ninety-five prints, ten artist proof prints and one printer's proof; late night "stacked-signage" view of classic 50's and 60's smaller pylon signs on the Strip way North of Fremont Street in a non-tourist section of the desert city
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The Desert Rose - 20" x 28" pigment print on Hahnemuhle Photo Rag Matte (image 12" x 18") 2011; signed and numbered edition of ninety-five prints, ten artist proof prints and one printer's proof; now at The Neon Museum Las Vegas this neon classic was installed at the now New York New York resort casino site; note the entrance to Excalibur in the background on the corner of Tropicana and Las Vegas Boulevard; from a 35mm transparency and Imacon scan and lovingly corrected by this photographer / photo-artist
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"Vegas Volcano" - 40" x 48" pigment print on Hahnemuhle Photo Rag Matte (image 33.6" x 42") 2011; a 4x5 transparency of five one-second exposures (to capture the full show over time) drum scanned; a definitive image of Steve Wynn's Mirage Lagoon's soon-to-be icon on the "Strip"
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Steve Wynn's Golden Nugget - 20" x 26" pigment print on Hahnemuhle Photo Rag Matte (image 12" x 18") 2011; signed and numbered edition of ninety -five with ten artist proofs and one printer's proof; of Steve Wynn's first venture into Las Vegas, the newly restored first class and historical Golden Nugget, in one summer's night
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