Farnsworth House - http://issuu.com/jstinson.arch/docs/imaging.architecure
Farnsworth House - Dystopian Dreams are graphic re-imaginings that seek to supplant manufactured utopian images. They are meant to combat the current occupational trend of creating sanitized visions which are medicated disfunctionists coerced to tell the 'proper' visual tale. Dystopian Dreams are not meant to glorify anything, but in a sense meant to destroy, undermine or subvert the associated image. Somewhere in the perversion and spectacle lies a peculiar, irreverent intrigue and fascination.
Farnsworth House - Dystopian Dreams are graphic re-imaginings that seek to supplant manufactured utopian images. They are meant to combat the current occupational trend of creating sanitized visions which are medicated disfunctionists coerced to tell the 'proper' visual tale. Dystopian Dreams are not meant to glorify anything, but in a sense meant to destroy, undermine or subvert the associated image. Somewhere in the perversion and spectacle lies a peculiar, irreverent intrigue and fascination.
Farnsworth House - Dystopian Dreams are graphic re-imaginings that seek to supplant manufactured utopian images. They are meant to combat the current occupational trend of creating sanitized visions which are medicated disfunctionists coerced to tell the 'proper' visual tale. Dystopian Dreams are not meant to glorify anything, but in a sense meant to destroy, undermine or subvert the associated image. Somewhere in the perversion and spectacle lies a peculiar, irreverent intrigue and fascination.
Farnsworth House
Fort Savoye - When architects abandoned ornamentation on buildings, they started designing projects that were ornaments themselves, sculptures in steel and glass. Though they achieved independence from classical, indexical components, their modernist structures were explicitly stylized after the industrial buildings of the then not so recent past. By altering the context in which they were designed, their image and meaning is subverted.
Savoye Construction Trailer - When architects abandoned ornamentation on buildings, they started designing projects that were ornaments themselves, sculptures in steel and glass. Though they achieved independence from classical, indexical components, their modernist structures were explicitly stylized after the industrial buildings of the then not so recent past. By altering the context in which they were designed, their image and meaning is subverted.
http://issuu.com/jstinson.arch/docs/imaging.architecure
Philip Johnson Glass House - When architects abandoned ornamentation on buildings, they started designing projects that were ornaments themselves, sculptures in steel and glass. Though they achieved independence from classical, indexical components, their modernist structures were explicitly stylized after the industrial buildings of the then not so recent past. By altering the context in which they were designed, their image and meaning is subverted.
http://issuu.com/jstinson.arch/docs/imaging.architecure
Farnsworth Filling Station - When architects abandoned ornamentation on buildings, they started designing projects that were ornaments themselves, sculptures in steel and glass. Though they achieved independence from classical, indexical components, their modernist structures were explicitly stylized after the industrial buildings of the then not so recent past. By altering the context in which they were designed, their image and meaning is subverted.
Sanitized Visions - Sanitized visions are medicated illusions coerced to tell the 'proper' visual tale. By means of various types of manipulations, these images become repositories for effects that formulate utopian apparitions, devoid of any sense of danger, uneasiness, and spectacle that absolutely exists in the built world.
http://issuu.com/jstinson.arch/docs/imaging.architecure
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Thesis Renderings
