Little Monster Squad - My first US assignment, thanks to the Comic-Con was to design the 'Little Monster Squad' characters for a NY company named MTI Group (1988). It was a really cool job that lasted a year, unfortunately, something happened to the person that was handling the 'Little Monster Squad' direction, so the project came to a stop and the proyect didn't materialize; I made T-Shirt designs and a comic book.
Astroboy - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Astroboy - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Astroboy - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Astroboy - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Astroboy - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Astroboy - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Astroboy - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Astroboy - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Astroboy - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Astroboy - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Astroboy - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Astroboy - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Astroboy - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Kimba - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Gigantor - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Gigantor - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Gigantor - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Gigantor - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Gigantor - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Gigantor - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Gigantor - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Gigantor - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Gigantor - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Gigantor - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Gigantor - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Gigantor - Working at the same time in the weekly 'Karmatrón' comic book in Mexico. Right Stuf Inc., through Jai Criqui, my first northamerican friend from the Comic-Con, gave me the assignment to work on the covers of Astroboy, Kimba and Gigantor's VHS and Laser Disc covers (back then, 1989-2000). In the first assignments with Astroboy and Gigantor I did all; when I worked on the Kimba covers, Tonatiuh Rocha helped me with the color (watercolor).
Speed Racer - In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
Speed Racer - In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
Speed Racer - In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
Speed Racer - In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
Speed Racer - In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
Speed Racer - In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
Speed Racer - In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
Speed Racer - In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
Speed Racer - In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
Speed Racer - In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
Speed Racer - In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
Speed Racer - In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
Speed Racer - In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
Speed Racer - In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
Speed Racer - In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
Speed Racer - In other parts, in the USA, I did the art for an special classical 'Speed Racer' 3D comic for Now Comics and afterwards 10 issues of 'The New Speed Racer' (1992-1993). I did pencils and inks for all this issues.
Looney Tunes - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Looney Tunes - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Looney Tunes - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Looney Tunes - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Looney Tunes - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Looney Tunes - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Looney Tunes - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Looney Tunes - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Looney Tunes - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Looney Tunes - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Looney Tunes - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Looney Tunes - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Tiny Toon - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Tiny Toon - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Tiny Toon - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Tiny Toon - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Tiny Toon - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Tiny Toon - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Tiny Toon - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Tiny Toon - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Tiny Toon - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Tiny Toon - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Tiny Toon - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Tiny Toon - Once again I drew and inked some Tiny Toons and Looney Tunes For Warner Bros.-DC Comics at the US. ( 1996-98).
Simpsons Comics - I drew 14 Simpson's comic strips published in The London Times and main newspapers of Europe and USA, for Bongo Comics (1998).
Simpsons Comics - I drew 14 Simpson's comic strips published in The London Times and main newspapers of Europe and USA, for Bongo Comics (1998).
Simpsons Comics - I drew 14 Simpson's comic strips published in The London Times and main newspapers of Europe and USA, for Bongo Comics (1998).
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000). With my first intervention in 'Treehouse of Horror #5' I had the fortune of earning an Eisner with the team that took part in that special.
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000). With my first intervention in 'Treehouse of Horror #5' I had the fortune of earning an Eisner with the team that took part in that special.
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000). With my first intervention in 'Treehouse of Horror #5' I had the fortune of earning an Eisner with the team that took part in that special.
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000). With my first intervention in 'Treehouse of Horror #5' I had the fortune of earning an Eisner with the team that took part in that special.
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000). With my first intervention in 'Treehouse of Horror #5' I had the fortune of earning an Eisner with the team that took part in that special.
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, i drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, I drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, I drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, I drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, I drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, I drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, I drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, I drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, I drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, I drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, I drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, I drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, I drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, I drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, I drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, I drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, I drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Simpsons Comics - And afterwards, also for USA, I drew the regular issues of 'Simpson Comics' and 'Bart Simpson Comics', for Bongo Comics (1999-2000).
Manga Tunes - Going through my old drawings, I share with you some pages (pencil and ink) that I made in 1996 for Warner Bros. - DC Comics, for the Looney Tunes comic, it was a parody of Ultraman and Godzilla.
Manga Tunes - Going through my old drawings, I share with you some pages (pencil and ink) that I made in 1996 for Warner Bros. - DC Comics, for the Looney Tunes comic, it was a parody of Ultraman and Godzilla.
Manga Tunes - Going through my old drawings, I share with you some pages (pencil and ink) that I made in 1996 for Warner Bros. - DC Comics, for the Looney Tunes comic, it was a parody of Ultraman and Godzilla.
Manga Tunes - Going through my old drawings, I share with you some pages (pencil and ink) that I made in 1996 for Warner Bros. - DC Comics, for the Looney Tunes comic, it was a parody of Ultraman and Godzilla.
Manga Tunes - Going through my old drawings, I share with you some pages (pencil and ink) that I made in 1996 for Warner Bros. - DC Comics, for the Looney Tunes comic, it was a parody of Ultraman and Godzilla.
Manga Tunes - Going through my old drawings, I share with you some pages (pencil and ink) that I made in 1996 for Warner Bros. - DC Comics, for the Looney Tunes comic, it was a parody of Ultraman and Godzilla.
Manga Tunes - Going through my old drawings, I share with you some pages (pencil and ink) that I made in 1996 for Warner Bros. - DC Comics, for the Looney Tunes comic, it was a parody of Ultraman and Godzilla.
Manga Tunes - Going through my old drawings, I share with you some pages (pencil and ink) that I made in 1996 for Warner Bros. - DC Comics, for the Looney Tunes comic, it was a parody of Ultraman and Godzilla.
Manga Tunes - Going through my old drawings, I share with you some pages (pencil and ink) that I made in 1996 for Warner Bros. - DC Comics, for the Looney Tunes comic, it was a parody of Ultraman and Godzilla.
Manga Tunes - Going through my old drawings, I share with you some pages (pencil and ink) that I made in 1996 for Warner Bros. - DC Comics, for the Looney Tunes comic, it was a parody of Ultraman and Godzilla.
gLike
Works in US
Oscar Gonzalez Loyo
Oscar Gonzalez Loyo Naucalpan, Mexico